America Week 2024 brings you a wide range of talks by representatives of the U.S. Embassy Budapest, faculty members and students of the English and American Studies Institute at the Faculty of Humanities of the University of Pannonia. Come to the events and share your thoughts on the topics with us!

Dear Students,

If you are enrolled in one of our Project seminars in the 2021 Autumn semester, you should upload your summaries of your project activities in the Moodle-course below. Upload a separate summary for each activity you wish to earn project credits for!

https://e-learning.mftk.uni-pannon.hu/course/view.php?id=293

Invitation

Time: 5 May, 2021 12.00 am

Venue: online

Join Zoom Meeting
https://cesnet.zoom.us/j/98879496194?pwd=Y3JYMjQvb2tWbUlqVVo1ajdDUjh3QT09

Meeting ID: 988 7949 6194
Passcode: 766016

Presenter: Martina Horakova (PhD) assistant professor (Department of English and American Studies, Masaryk University, Czech Republic

Topic: The Tracker Strikes B(l)ack: The Uses of ‘Black Tracker’ in Australian Film

Abstract: The talk will introduce one of the most iconic figures of recent Australian film, the Black Tracker, whose shadowy presence looms large in Australian imagination as a recurrent symbol of colonial history. While the earlier representations depicted these trackers as guides to white explorers and later as sinister members of Native Police, at the turn of the 21^st century the trope of Black Tracker has been appropriated to signify more ambivalent meanings, intervening into larger debates about national identity, racial politics, and settler-Indigenous Reconciliation. I will discuss two well-known and critically acclaimed films, The Tracker (2002, dir. Rolf de Heer) and One Night the Moon (2001, dir. Rachel Perkins), to demonstrate how the figure of the Black Tracker is employed to comment on national spatial anxieties and to challenge settler belonging.

Bio: Martina Horakova is Assistant Professor in the Department of English and American Studies at Masaryk University, Czech Republic. In her teaching and research, she focuses on contemporary Australian and Canadian literatures, particularly on Indigenous cultural production and theories of settler colonialism. She authored Inscribing Difference and Resistance: Indigenous Women’s Personal Non-fiction and Life Writing in Australia and Canada (MUNI Press, 2017) and co-authored Alternatives in Biography: Writing Lives in Diverse English-language Contexts (MUNI Press, 2011). Among others, she published book chapters in Handbook of Autobiography/Autofiction (De Gruyter, 2019), A Companion to Australian Aboriginal Literature (Camden House, 2013), Postcolonial Issues in Australian Literature (Cambria Press, 2010), as well as journal articles in Journal of Commonwealth Literature, Life Writing, Antipodes, JEASA or Zeitschrift für Australienstudien/Australian Studies Journal. She is currently working on a project related to memoirs of postcolonial settler belonging in Australia. From 2016 she is the general editor of JEASA, Journal of the European Association for Studies of Australia.

Invitation

Time: 5 May, 2021 10.00 am

Venue: online

Join Zoom Meeting
https://cesnet.zoom.us/j/95942545616?pwd=QnJLMk5yU2JsZkZLWHIreXI1T2hOZz09

Meeting ID: 959 4254 5616
Passcode: 840507

Presenter: Martina Horakova (PhD) assistant professor (Department of English and American Studies, Masaryk University, Czech Republic

Topic: ‘Kin-fused’ Revenge: Alter/Native Canon in Leah Purcell’s The Drover’s Wife

Abstract: In the talk I will explore one of the many rewritings of Australian colonial writer Henry Lawson’s iconic short story “The Drover’s Wife” (1892)—the play The Drover’s Wife (2016) written by Aboriginal actor, writer and director Leah Purcell. The main source for Purcell’s rewriting is a much larger and more significant presence of Indigeneity. The play not only introduces the character of Yadaka, an Aboriginal fugitive, as a key character, but the drover’s wife herself is revealed to have Indigenous origins. This powerful twist offers several implications: the paly, a tour de force of frontier violence with haunting images of racism, rape, lynching, and murder, unflinchingly confronts the very foundations of established literary canon as well as settler belonging, providing an alter/Native to both. I borrow Fiona Probyn-Rapsey’s term “kin-fused” to argue that the play’s resolution implies a critique of Indigenous-settler reconciliation by pointing to a lingering desire to redress colonial violence, embodied in the play by a promise of “kin-fused” revenge.

Bio: Martina Horakova is Assistant Professor in the Department of English and American Studies at Masaryk University, Czech Republic. In her teaching and research, she focuses on contemporary Australian and Canadian literatures, particularly on Indigenous cultural production and theories of settler colonialism. She authored Inscribing Difference and Resistance: Indigenous Women’s Personal Non-fiction and Life Writing in Australia and Canada (MUNI Press, 2017) and co-authored Alternatives in Biography: Writing Lives in Diverse English-language Contexts (MUNI Press, 2011). Among others, she published book chapters in Handbook of Autobiography/Autofiction (De Gruyter, 2019), A Companion to Australian Aboriginal Literature (Camden House, 2013), Postcolonial Issues in Australian Literature (Cambria Press, 2010), as well as journal articles in Journal of Commonwealth Literature, Life Writing, Antipodes, JEASA or Zeitschrift für Australienstudien/Australian Studies Journal. She is currently working on a project related to memoirs of postcolonial settler belonging in Australia. From 2016 she is the general editor of JEASA, Journal of the European Association for Studies of Australia.

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MEGHÍVÓ

A MTA Veszprémi Területi Bizottsága Nyelv- és Irodalomtudományi Szakbizottságának Angol Munkabizottsága, valamint a Pannon Egyetem MFTK Angol-Amerikai Intézete

tisztelettel meghívja Önt következő előadására.

Az előadás ideje: 2021. május 5. (szerda) 10.00 óra

Az előadás helye: online

 Martina Horakova (PhD) assistant professor (Department of English and American Studies, Masaryk University, Czech Republic

Téma: ‘Kin-fused’ Revenge: Alter/Native Canon in Leah Purcell’s The Drover’s Wife

Minden érdeklődőt szeretettel várunk.

Veszprém, 2021. április 21.

Dr. Forintos Éva                                                                    Dr. Szentgyörgyi Szilárd

elnök                                                                                      intézetigazgató

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